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LaToya Hobbs

LaToya Hobbs

Artist Work

Desert Essence (Self-Portrait)
Acrylic and Collage on Canvas
33" X 23"
Clarice II
44" X 28"
Kelli R.
44" X 28"
Transition: Double Self Portrait
44" X 60"
"My fears disintegrated into nothing"
Acrylic, Ink, Collage, Carving and Text on Wood Panel
96" X 72"
Lunar Blessing
64" X 32"

Artist Information

Baltimore City
Artistic Category

Visual Arts

MSAC Individual Artist Award (IAA)

Artist Statement

Visual images influence the psychological frame work upon which identity is established; particularly the images that one sees of him or herself or those that are representative of their community. With this sensitivity to the importance of visual images in mind, I use the female figure to challenge past notions of identity concerning the black female body, deconstruct them, and resurrect an ideology grounded in positivity. My work is an investigation of the point where the notions of race, identity, and beauty intersect concerning women of African descent. In this exploration, women, those with whom I have personal and virtual interactions, play a role that is paramount, making them the source of my inspiration and an integral part of my creative process. Consequently, my work, serves as a platform that enables its subject to engage in a visual dialogue with the viewer. The objective of this dialogue is to redefine and sometimes inform others of their identity. In this creative process I have reexamined the triadic artist/model/ viewer relationship by interacting with my models not as objects but as subjects with a voice. My primary medium of choice is relief printmaking. Symbolically this serves two purposes. The act of cutting away from my matrix (the surface of the wood or linoleum block) to shape an image is synonymous with the way one has to cut away negative ideologies imposed on them by others to expose or embrace their true selves. In this same sense women of African descent have had to cut away the negative stereotypes imposed on them by external forces to express their true identity. Secondly, the historic nature of printmaking stems out of protest and communication. This is significant to my work because I seek to dismantle negative stereotypes based on Euro-centric standards of beauty and communicate how past influences, expectations, and personal preferences resonate with women of color in the 21st century and are expressed through the canvas of their bodies.

Artist Bio

LaToya M. Hobbs is a native of North Little Rock, AR. She received her undergraduate degree in Studio Art with an emphasis in Painting from the University of Arkansas at Little Rock and her MFA in printmaking from Purdue University.

 LaToya’s work deals with figurative imagery that addresses the ideas of beauty and cultural identity while reexamining the traditional triadic artist, model, viewer, relationship.  Her exhibition record includes several national and international exhibitions such as the Tulipamwe International Artists’ Exhibition at the National Art Gallery of Namibia, Windhoek, Namibia (Africa), Prizm Art Fair, Art Basel Miami, the National Wet Paint Exhibition in Chicago, IL and the East/ West Portfolio Print Exchange Traveling Exhibition, the Black Creativity Exhibition at the Museum of Science and Industry, Chicago, IL and the Promising Artists of the 21st Century Art Exhibition at the Sophia Wananmaker Galleries in San Jose, Costa Rica among others.  LaToya’s work has also been featured in Transition: An International Review, a publication of the W.E.B. Dubois Institute for African and African American Research at Harvard University. 

In addition to her own studio practice, LaToya devotes her time to teaching and inspiring young artists as a Faculty member at the Maryland Institute College of Art.