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Gregg Morris

Gregg Morris


Artist Work

acrylic on canvas
28 1/2" x 25 1/2"
colored pencil on paper
8" X 10"
colored pencil on paper
6" x 6"
colored pencil on paper
11" x 11"
hand pulled block print on paper
11" x 14"
wood with linen backdrop
11 1/2" x 19"

Artist Information

Cecil County
Artistic Category

Visual Arts

Artist Statement

Several years ago when I had been commissioned to develop designs for art quilts I was given a piece of graph paper to aid in the process. I discovered by accident that between the thin blue lines on the surface of the paper and the actual paper itself there existed an entire universe--like another dimension altogether. I found that if I was in the right frame of mind I could coax shapes from this micro-thin dimension out onto the paper. These shapes had form but no content, like letters of the alphabet. The shapes were restricted to horizontal, vertical, and 45 degree lines because that made them easier to sew on a machine. I am no longer involved in making designs for quilts but I have retained this design process in making paintings, sculptures, and prints. I believe the meaning of any work of art (or anything for that matter) is inherent in the way it is made. In my current process of image making I use a variety of media and techniques, including acrylic painting, colored pencil drawings, block prints made from shapes cut out of laminate, and wood cutouts. The images and pieces I make represent the idea of a thing rather than the thing itself.

Artist Bio

I grew up in the middle of horse country: Lexington, Kentucky.  This suited me just fine because from the time I was a little kid all I wanted to do was ride.  I got the chance to do plenty of that but it was during a short stint in the army that I became interested in art.  I moved from Kentucky to attend the Maryland Institute College of Art in Baltimore. While there I supported myself by working as an exercise rider at nearby Pimlico racetrack.  Since racetrack work is all done in the morning, it left me with afternoons to work on art.  This system sustained me for years after graduating from MICA but it began to get a little old so I applied to and was accepted into the MFA program at Syracuse University.  My thought was to land a job at some college teaching art since that was how most of the artists I had met survived.  The two years at Syracuse were interesting and fruitful but left me with no desire to purse a career in academia.   I went back to the horses in the morning/art in the afternoon routine until a training accident convinced me that it was time to try another approach.  I went back to school and became a physician assistant.  I now work as a PA in an emergency department.  My somewhat erratic schedule still allows for blocks of time in which to work in my studio.